While the knocked out, loincloth-wearing Tarzan is splayed unawares on the shore of a small lagoon, she takes the chance to sneak a feel and runs her fingers along his glistening hairless face, chest and abdomen. There’s a lot we need to accept if we’re going to get through this, so we’ll just take that at face value. We learn that Jane, a gorgeous 25-year-old independent European woman has never touched a man before. They all head to a secret location where the chimps and Jane tend to the unconscious Tarzan. Driven, literally, by a chimp, it scoops up Tarzan in its tusks and carries him into the foliage.
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He collapses and his jungle friends emerge from the forest, including chimpanzees and an orangutan (which is an exclusively Asian species of great apes, native only to Indonesia and Malaysia, but we’re not watching this movie for a science lesson). When it’s over, Tarzan is victorious but exhausted and wounded. It’s nearly impossible to understand what is happening. What follows is a bizarre three minutes of super slo-motion snake fighting with Tarzan, Jane and the python all seemingly super-imposed over each other. Thank goodness Tarzan hears her struggling and swoops back in on his vine, giving us that Tarzan yell. It’s not a minute later that she’s attacked by a giant constrictor and gets entangled with the beast. She fires and he runs off, even though she calls for him to come back. He drags her away and into the dense jungle where she pulls a gun (which, like her, is totally dry for some reason – and actually one of the few times she is in the film).
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On a riverbank as Jane’s father leads his expedition inland, Jane is swept into the water by a silent Tarzan who has become smitten by her beauty. His hot twenty-something daughter is with him There you go. That said, let’s take a closer look at one moment when a kidnapped Jane explores the man who stole her. While the film was ravaged by critics, it was a box office smash. In the run time of the film, there are any number of scenes that make you wonder how it ever got made, but there’s no resisting the power of a beautiful woman and a pair of naked boobs. And he yells with Johnny Weismuller‘s voice. In his film debut, Miles O’Keefe is 80s beefcake jungle boy BAM, who swings on vines and talks to the animals. His reciting of Humpty-Dumpty in a moment of crisis is cringeworthy. Harris goes off the deep end playing a wildly eccentric James Parker (a name repeated over and over), who not just chews up scenery, he mangles them with ferocity. A climactic fight is filmed in such slow-motion, they barely move and is as gripping to watch as a rice cake on a plate. Choppy direction and editing don’t help an awful script. Watching the movie now, it’s a slow, melodramatic piece of fluff that is more than a little ridiculous. It happens just slightly less often than Harris calling Tarzan a son-of-a-bitch.
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Derek herself though, in her first leading role, is mostly convincing as Jane, though her go-to emotive acting gestures is touching her lips, which she does time and time and time again. It’s a prolonged, grope-y sequence in slow-motion that in today’s climate, is even more uncomfortable. That allowed for giving a familiar story a new perspective, that of Jane rather than Tarzan.Ĭontroversial at the time for its nudity and sexual situations, it also drew heat for its depiction of the blonde-haired naked Derek being bathed by black women and then again as they paint her white.
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With Tarzan, The Derek’s had full control over direction and story (even after the Edgar Rice Burroughs estate unsuccessfully sued them). After a dream sequence in the 1979 comedy 10, in which she runs in slow motion down a beach in a flimsy flesh-colored bathing suit, she became an international sex symbol, something her husband had been working hard to ensure for most the 1970s. 1979)Īt the time of filming, Bo Derek was a bonafide sensation. Convinced Tarzan is the greatest prize to plunder and one to stuff on his wall, he is determined to find him. Of course, when she arrives, she learns he is actually hunting the mythological 100ft tall White Ape, a legend he finds amusing as it terrifies the locals.
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Playing an independent woman in a time when women “we’re for men’s pleasure, not their own,” she is an adventurer who has come to the jungles of Africa in search of her father ( Richard Harris), on an expedition to exploit the riches of the continent. In John Derek‘s Tarzan, The Ape Man, a remake of sorts of the 1932 film of the same name, Tarzan takes a back seat in his own story as the focus shifts to the lovely Jane, played by Bo Derek, wife of the director. Ryan Colucci Interview: Writer and Co-Director of Orient…